Accompanies a major retrospective at MoMA of her drawings, prints and sculptures. Few have portrayed human anguish so convincingly, with lines etched so hard they seem to ache.
A collection of nine essays that elaborate on the development and themes of Mingei, the Japanese art movement that found beauty in commonplace objects.
Majorelle (1886-1962) was a French painter who travelled widely in Italy and Egypt before settling in Morocco in 1917; he became well-known as an Orientalist painter (with shades of Edward H... read more
Harris' wondrously eclectic mind has previously produced Weatherland and Romantic Moderns. Here she weaves stories of the Sussex landscape of her youth, with threads of Blake, Milton, Consta... read more
There's a pleasant and airy simplicity to Hughes's landscapes: patient, mindful, each view pared back to flattened shapes and even tones. They are gathered together here alongside a short te... read more