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Art Of The Formal GardenEditions
Review
Of course, ever since Peto plundered the ideas of the Italian Renaissance gardens of the 16th and 17th centuries, gardeners such as Jekyll, Johnston and Sackville-West have mingled landscape components with more orderly features to create a style and exert an influence which inspires us to the present day. Van der Horst goes even further with his system of what he calls “imaginative symmetry” and suggests that even the smallest of plots can benefit from a more defined set of principles. In fact, within a few hundred yards of the Sandoe shop here in Chelsea, there is a gem of a parterre which could turn Le Notre green with envy, and I know of a potager in Sussex, its central feature a topiary swan atop an ocean of sea-kale, which rivals Villandry in complexity if not scale. The author investigates those features which help create a more orderly atmosphere and shows us how avenues, paths, terraces, steps, hedges, topiary, arches, pergolas, columns, well-heads, pavilions, fountains, rills and other sundry architectural items might sway us to his all-too-tempting doctrines. - review by Stewart Grimshaw |
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John Sandoe [Books] Ltd
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